A portrait of Lina Bardi.

Photograph: Bob Wolfenson

“Freely tiltable cuddle field.” That was the fantastic description Lina Bo Bardi gave of a radically new chair within the November 1953 subject of Interiors journal. The Italo-Brazilian modernist architect was pictured on the duvet, studying within the semicircular chair, legs crossed, ft dangling casually over the sting.

And positive sufficient, the plastic shell lounge with foam padding, nestled in (however not hooked up to) a four-legged metal body, will be simply adjusted to a variety of positions. That is what Bo Bardi referred to as ‘completely new’ about her design, conceptualized in ’51—“[it] motion from all sides, with none mechanical means.” Appropriate for studying, napping or having an informal dialog, the chair is definitely adjusted with a lightweight downward push of a hand or leg. The journal article even prompt that the bowl half, if faraway from the body, might be used for sunbathing.

The Bowl chair from Arper.

Photograph: Courtesy of Arper

This chair was one of many first items of furnishings Bo Bardi made after 4 years of collaboration with architect Giancarlo Palanti. In Bo Bardi’s new unbiased apply, Professor Renato Anelli, curator of the Instituto Bardi, explains that they’ve delivered to life the idea of “sitting within the air – the physique suspended from leather-based or fibrous materials, structured by skinny metallic tubes and rods”. analysis was. The intelligent perch that appeared to drift above the ground simulated simply that sensation.

Bo Bardi’s two unique Bowls went to her iconic Casa de Vidro in São Paulo (it’s now the positioning of the Instituto Bardi), and extra have been made for distinguished houses in Brasília within the Sixties. However for the reason that chair was not commercially produced, solely a small quantity have been made earlier than 2013, when the Italian firm Arper acquired the license to provide its personal modification.

“It is no shock that it belongs to MoMA’s assortment,” says Brazilian architect Arthur Casas, who positioned an early bowl from his shopper’s assortment of their dwelling in São Paulo. “It is a easy design that was irreverent for its time.” arper. com

Bo Bardi’s glass home in Sao Paulo.

Photograph: Leonardo Finotti. Artist: Miguel Dos Santos


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