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Pondering out of the field is Hepfer’s specialty. She is thought for her potential to mix colour, sample and texture in clever and surprising methods to create particular moods in numerous rooms. To that finish, “the massive focus was on creating one thing actually particular and significant for his or her household,” she says. “They needed it to be very snug and colourful. Dressed sufficient, however not in such a manner that you could’t put your toes on something.”
Within the kitchen, Tangelo by Kravet covers Safavieh counterstools, whereas black and copper City Electrical pendants illuminate the island. Images by Virginia Macdonald
The home, which was in-built 2011, had good bones. After some renovation work – together with a brand new kitchen and new bogs – Hepfer turned her consideration to the inside. The primary is the octagonal entrance corridor with double-height ceiling and spiral staircase. “We wanted one thing whimsical and a mirrored image of nature to convey the surface in,” she says. A bespoke de Gournay wallpaper, that includes tropical crops and flowering timber hand-painted onto a crackled silver leaf, imbues the house with class but feels recent and fashionable. To make it much more private, every member of the family’s initials had been painted into the decor.
That set the tone for the remainder of the home, the place recurring motifs and colours transition easily from one room to the following. The temper shifts from reflective to playful within the eating room, the place two-tone chairs in persimmon and royal blue velvet and a navy blue lacquered coil-style desk evoke the colours of the Amalfi Coast. The Lazy Susan insert is “enjoyable and conducive to dialog,” says the designer. The white-silver-flecked cork partitions show one of many couple’s favourite items of artwork, created by Yosuke Takeda.
The household room couch is wearing a Perennials cloth trimmed with Schumacher tape and topped with accent pillows from Jonathan Adler and Crawford Bead. The espresso desk is from Safavieh and the armchair materials are from Lee Jofa. Images by Virginia Macdonald
Within the kitchen, the designer exchanged the unique picket flooring for marble tiles in a basic Roman diamond-shaped sample. “The design is centuries outdated, nevertheless it seems to be so fashionable,” says Hepfer. “It is a good way so as to add vitality to a ground and boost the kitchen.” Like diner-style swivel stools, upholstered in orange tangelo leatherette from Kravet. For the sunlit household room, Hepfer launched a mixture of blues and corals that echoes the breakfast nook with its orange banquette. “There are like 9 completely different patterns on this room. One way or the other it simply works,” she provides.
Barely extra formal however no much less inviting, the lounge is a recreation of contrasting shapes. A curved emerald inexperienced velvet sofa kinds a sitting space in entrance of the hearth. The black traces of the Serge Mouille lighting fixture and the Roman shades bordered with black borders intensify the fragmented design of the carpet, which Hepfer primarily based on a Moroccan sample and enlarged to scale.
Within the library, the couch carries a Threadcount linen and is roofed with Ayadeena customized cushions. The Womb chair is thru Design Inside Attain; the brass image lamp is City Electrical; and the polished brass fanlight is by Paul Marra Design. Images by Virginia Macdonald
The designer took over the colours within the cozy library with its black lacquered partitions and millwork. “I like black as a result of it is so reflective, making a smaller house really feel greater,” she says. A customized hand-knotted rug with a swirl of inexperienced pays homage to Hepfer’s favourite semi-precious stone: malachite. The embroidery cushions on the white linen couch are a nod to her former hometown. “We had embroidery cushions made in inexperienced and white and black, which is a really fashionable and modern sample. I see it when preppy goes wild.”
The print model of this text appeared with the headline: Colourful character.
